Flicker Alley was born out of a passion for cinematic history and a desire to bring filmmakers and films from out of the past to new audiences and renewed recognition. The company was founded in 2002 by Jeffery Masino who drew on a lifelong enthusiasm and fascination with silent film as well as classic, experimental and independent cinema. A goal of Flicker Alley is to contribute to the on-going interest in our film heritage through the creation of new, high-quality digital editions for broadcast, steaming and home video distribution.
The Flicker Alley brand has grown to enjoy national and international critical acclaim and is regularly featured in annual “Best Of” lists. The company is a three-time National Society of Film Critics Film Heritage Award recipient for publishing “rare early U.S. and foreign silent film” (2009, 2010, and 2011). The name “Flicker Alley” was the nickname of Cecil Court, London W.C.2., the business center of the British film industry during the silent film era.
True to its title, the 1925, 10-reel version of THE LOST WORLD effectively disappeared from circulation in 1929—all known positive prints destroyed—a move by First National Pictures to help clear the way for another “creature film” utilizing special effects and Willis O’Brien’s cutting-edge animation techniques: King Kong. For more than 80 years, only abridged editions of THE LOST WORLD remained in existence… until now!
Follow Professor Challenger, played by the inimitable Wallace Beery, as he and a crew of curious explorers embark on an expedition in search of a mythical, prehistoric plateau in South America. Along for the adventure are eminent scientist Summerlee (Arthur Hoyt, the director’s brother), sportsman Sir John Roxton (Lewis Stone), journalist Ed Malone (Lloyd Hughes) and Paula White (Bessie Love), whose father disappeared on the same plateau. The party is not there long before the “lost world” of the jungle begins to reveal its secrets: a primitive ape-man, a Pterodactyl flying through the air, a massive Brontosaurus feeding upon the trees, the vicious Allosaurus, and many more monstrous beasts of the Jurassic age.
True to its title, the 1925, 10-reel version of THE LOST WORLD effectively disappeared from circulation in 1929—all known positive prints destroyed—a move by First National Pictures to help clear the way for another “creature film” utilizing special effects and Willis O’Brien’s cutting-edge anima...