The Cure (1917)
Chaplin's Mutual Comedies (1916-1917)
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26m
THE CURE, the tenth film in the series, is perhaps the funniest of the Mutuals. Inspiration for the film was drawn from the Los Angeles Athletic Club, where Chaplin was living at the time and where the idea of a health spa first occurred to him. The wrestling bouts in the gymnasium of the Athletic Club caught his imagination and inspired the scene in the film in which Charlie wrestles the masseur.
Completion of the film was again delayed because of Chaplin’s quest for perfection. Outtakes survive showing that the film began quite differently, with Charlie intending to play a bellman and later a spa attendant in a health resort before finalizing on the inebriate character. Production was further delayed when Chaplin caught a chill after filming some of the water scenes.
Chaplin’s use of dance in THE CURE is also notable. There is a delightful scene in the changing room where Charlie assumes several poses in his swimsuit as the curtains open and close before he dances along to the pool. The scene was inspired by the tableaux vivant, a popular feature of many British music-hall programs.
Up Next in Chaplin's Mutual Comedies (1916-1917)
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The Immigrant (1917)
THE IMMIGRANT, which contains elements of satire, irony, and romance as well as cinematic poetry, endures into the twenty-first century as a comic masterpiece. The film, Chaplin's eleventh in the Mutual series, is the best-constructed of his two-reelers and was Chaplin's favorite among all his tw...
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The Adventurer (1917)
The most popular of the Mutuals, THE ADVENTURER begins and ends with a chase. It is the fastest-paced film of the series, and although it has more slapstick than Easy Street (1917) and The Immigrant (1917), it is redeemed by its construction, characterization, and Chaplin's balletic grace.
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