The Floorwalker (1916)
Chaplin's Mutual Comedies (1916-1917)
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29m
CHAPLIN'S MUTUAL COMEDIES #1
Embezzlement is the subject of THE FLOORWALKER, Chaplin's first film under his landmark contract with Lone Star-Mutual.
Though it lacks the pathos of many future Mutual comedies, THE FLOORWALKER contains a stronger plot than most of Chaplin's previous films, with the moving-staircase chase being quite novel for 1916. A glimpse of Chaplin's evolution to a more graceful type of screen comedy is evident in Charlie's dance when he discovers the valise of stolen money and dives into the bag. (This dance of joy ends with the manager choking him). Audiences were amazed and delighted by Chaplin's brilliant antics.
Up Next in Chaplin's Mutual Comedies (1916-1917)
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The Fireman (1916)
In Chaplin's second effort for Mutual, THE FIREMAN, he portrays an inept firefighter at Fire Station 23, surrounded by a plot filled with arson and insurance fraud. Filmed partly at an actual fire station (Fire Station 29, located at 158 South Western Avenue in Los Angeles), two condemned houses ...
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The Vagabond (1916)
THE VAGABOND, Chaplin's third Mutual film, was an important step in Chaplin's career in which he interweaves pathos as an integral part of the comedy. In this way, THE VAGABOND is the prototype of The Kid (1921) and The Circus (1928). Chaplin employs the same romantic triangle seen in The Tramp (...
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One A.M. (1916)
ONE A.M, Chaplin's fourth Mutual, is an impressive piece of virtuosity, a solo performance except for a brief appearance by Albert Austin as a taxi driver. The film is a tour de force of Chaplin's superb pantomime and comic creativity performed in a restricted space, a brilliant experiment that h...
