The Rink (1916)
Chaplin's Mutual Comedies (1916-1917)
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25m
Chaplin's eighth film for Mutual, THE RINK, is one of Chaplin's most popular comedies. Charlie is an inept waiter who prepares the bill of Mr. Stout by examining the soup, spaghetti, melon stains, and other remnants on the sloppy eater's shirt front, tie, and ear. Charlie employs an unorthodox approach to his work. He shakes an unusual cocktail; his whole body does a shimmy while the cocktail shaker remains immobile in his hands. He carelessly places a broiler cover over a live cat that he serves to a startled diner. Yet, inept as Charlie is as a waiter, he is incredibly graceful on roller skates, which is how he spends his lunch break.
Chaplin did all of the skating himself. He was occasionally aided by wires for shots which required Charlie to appear as if he were about to fall backwards or forward while on skates, causing pandemonium in the rink. His agility and grace make THE RINK one of his most memorable early comedies.
Up Next in Chaplin's Mutual Comedies (1916-1917)
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Easy Street (1917)
For EASY STREET, his ninth film for Mutual and the most famous of the twelve, Chaplin ordered the first of the T-shaped street sets to be built that he would consistently utilize to provide a perfect backdrop to his comedy. The look and feel of Easy Street evoke the South London of his childhood ...
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The Cure (1917)
THE CURE, the tenth film in the series, is perhaps the funniest of the Mutuals. Inspiration for the film was drawn from the Los Angeles Athletic Club, where Chaplin was living at the time and where the idea of a health spa first occurred to him. The wrestling bouts in the gymnasium of the Athleti...
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The Immigrant (1917)
THE IMMIGRANT, which contains elements of satire, irony, and romance as well as cinematic poetry, endures into the twenty-first century as a comic masterpiece. The film, Chaplin's eleventh in the Mutual series, is the best-constructed of his two-reelers and was Chaplin's favorite among all his tw...
